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[TITLE]W POSZUKIWANIU TRZECIEGO WYMIARU
[AUTHOR]KATARZYNA I ANDRZEJ WALUK 3dstereo.com.pl
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[COLF]&HFFFFFF,[STYLE]bd,[SIZE]18,[FONT]Arial
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"Fine Art is like playing your illusions.

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On canvas, which has two dimensions [br]- width and hight

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- we give You the third dimension."

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prof. Jerzy Gnatowski

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Reality around us [br]is three-dimensional,

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It has lenght width [br]and depth

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in different culture ages

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showing space in fine art [br] was treated differently

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However na matter what age we have

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the Process is still [br] similar.

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The artist has to bring third dimension

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to 2D

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in order to create, using various artistic expressions,

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3D again.

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And this is the job for our fairy

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We are now inside of art studio,

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on two-dimensional piece of paper [br]we have to draw objects, [br]which are not flat but three-dimensional.

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It has not only [br]width and hight,

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but also depth [br] and are always in 3D.

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To make it right I must use some magic.

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We can easily observe, [br] that every departed object [br]changes its features,

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just look by yourselves.

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Obejcts undergo an apparent reduction.

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It depends on distance, that separates the looking person [br]from the object.

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the farther from viewer, the paler are colors,

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also the details are less apparent.

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It's a bit cold in here, lets us back to the studio

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in searching of 3D[br]the light is also very important.

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We must remember while painting or drawing,

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that light always comes from some source.

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Outside from Sun, [br]and even in cloudy day

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light comes from the brighter side of the sky, [br]at home, from window or a lamp. [br]

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Always those parts,

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pointed to the light [br]are the worst

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– they are more bright

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and those reversed to the light [br]are the best

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– they are mare dark.

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Remeber, using this phenomenon [br]in fine art we call chiaroscuro.

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Rembrandt's paintings. the greatest [br]representative of the flemish Art in XVII,[br] 

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are the masterpiece in playing with light and shadow.

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His paintings charakterizes with color depth,

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wealth of colours, extremaly accurate [br]space evaluation and chiaroscuro. [br]

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Light makes those parts of objectS

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directed with its side to the light [br]or with small angles

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and on which the light slides[br] possess values in different intensities of greyness.[br]

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and how in fine art history artists [br]searched for 3D? [br] Lets look..

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When, in about twenty thousands years ago,[br] the man of the time transferred [br]remembered view of group of people on the caves' wall

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- of those, [br]who were more distant placed over those [br], who were closer

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Prehistorical painter used prespective, [br]which is called nowaday as rower.

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>From those distant periods also comes[br]perspective called as winger.

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Using it came from fact that, [br]in real life objects localized closer

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makes blind those which are behind them.

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In this way, objcets which get one on another makes impression,

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that one showed entirely, [br]is localized closer to viewer,

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and the other one showed partly - farther.

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In Renaissance, mainly because of[br] great artist Leonardo da Vinci

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the art gained new perspective, [br]which is called convergend or renaissanced.

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The basic rule here is apparent size decreasing [br]as objects are getting away form viewer.

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All the lines coming out form a viewer eye to the object[br] cenverge in pne point at the horizon.

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To amplify the impression of obtained depth [br]through convergent perspective

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we also use air perspective[br] and art perspective,

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which let us to express 3D [br]throug impression,

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that worm colours (like yellow, orange, red, brown), [br]brings painted object closer,

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and cold colours (like blue) - farther.

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This belief lasted till baroque, [br]classicism, romanticism and realism.

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Only the end of XIX century changed that.

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Paul Cézanne, french artist,

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introduced completely new way of [br]showing the perspective in art.

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He didn't use convergent perspective [br]in accordance to prior rules,

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but he started to build the perspective of his paintings [br]with the new method.

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This method consist in placing [br]the backgrounds walking deep into painting

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as concurrently one to another [br]like in theatre.

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He distinguished Those backgrounds using colours,

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so he used art perspective,

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which uses three-dimensional colours effect.

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That's how changed perspective - winger
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- improved and enriched about new colour knowledge

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- serves to painting of XX century [br]in a little different way than thousands years ago.

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... and with that we could end our story,

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... and what could happen if we change the sequences

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and come into 2D painting for intance of Salvador Dali.
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Don't laugh, it's possible. All you need is... to put on the glasses

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and.....look for yourself

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This kind of phenomenon is not a magic, it's stereoscopy...

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but this is complitely different story....

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script and directed:

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fortune-teller:

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narrator:

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pictures:

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editing:

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3d animation:

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a fragment of a movie used here:

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special thanks:

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produkcion: